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Agricola de Cologne Truth - Paradise Found -(3:00) 2004- Alemanha
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The video tells the story of the human desire to be as close to truth as possible. But who ever will succeed while living a life dominated by the fast running time and endless searching? If there is any paradise, then monks or people really resting within themselves find a paradise close to truth close to GOD. But it is only truth people are believing in. Is there absolute truth?
CV
*Biennale de Montreal 2004
*Biennale of Electronic Art Perth/Austrália 2004
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Alexandre milagres Vídeo Popular 2004 - 00:05:00
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An intricate opinion, about the uses of video as language, creation and escape. Clouds linger on, and the voice heard wasn´t from God, but from the talking monkey full of ideas to show.
CV
IMAGENS DOS POVOS – Mostra Internacional de Audiovisual de Ouro Preto (2005)
PROG:me – Primeiro Festival Internacional de mídia eletrônica do Rio de Janeiro (2005)
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Andrés senra La anunciación - 2002 - 1min - Espanha
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There´s no more utopy and beauty left, only superficiality. Could someone
who has been broken into pieces because of a nonsense life become an icon, as a new virgin or a reflection of humanity selfpity? Irony is all we´ve got.
CV
*2005 La Casa Encendida. "En tránsito". artistas en residencia. Madrid
*2005 Galería Oliva Arauna. Proyectos. Madrid.
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Antonella Kurzen -THE CHALLENGE - 5min37s - 2005 - Suiça
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Is it the desert of the spirit or empty appearance of the landscape that our eye does not succeed to overwhelm? Both cases? Probably. Two situations gloomy and austere, become warning of an imminent danger, when in the mirror of the sky a predator bird appears while a human being - an Asian woman – is going up the rocks walking three steps forwards, two steps backwards testing her balance.
CV
*Rencontres internationales Paris-Berlin - art-action.org - PARIS
*VIPER International film - video and new media - BASEL
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Daniel Lima - Arrastão - 2006 - Brasil
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CV
3º Festival Internacional de Música Electrónica & Arte Multimédia - Braga, Portugal
I Mostra Pan Africana de Arte Contemporânea. Videobrasil/Fundação Palmares. Salvador, Brasil, 2005.
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The Ataraxians / Ben Russell e sabine gruffat / 6min / 2004
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From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.
CV
*AS220 e Fort Thunder em Providence RI
*PDX Film Festival em Portland OR
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Telephone Colorido (Abel Alencar e Ernesto)“Besouro Txubs” 2005 3 min
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He looks for an exit so can enter.
CV
Fraenkelstein Projects 2 salão de artes Laisle.com.
laisle.com hole 2004 02. Mostra de vídeo arte do Rio de Janeiro
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Sagi Groner - Blue Journey - 5”30’ - 2003
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A video poem composed of images of travel and fight along with voices of characters who express their journey in sensations, fear, beliefs and realizations. The text was obtained from interviews with 5 members of the sanctuary mental space (SMS) exhibition in central museum Utrecht in November 2003.
cv
Prog:ME - Centro Cultural TELEMAR- RJ 2005
2005: festival de arte eletrônica "Videobrasil", Sao Paulo
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Camila sposati - TALK TO ME - 3min - 2000
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helicopter view of São Paulo (the largest city in South America, with 15 million inhabitants) with a soundtrack of broken dialogue between a woman and a man. The work explores the tension between Distance and Commitements by juxtaposing a macro view of a large city against a micro view of a domestic situation and in this way, announces the contradictions between these two perspectives.
CV
Premio Sergio Motta – 2004 e 2005.
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Florencia Gullen - La Campeona del Color - 2003 - 3min22s - México
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‘La Campeona del color’ is a film in the form of a promotional video about a hairdresser in Elephant and Castle, London. As part of her method for selecting the perfect hairstyle for a person, she analyses her subject’s personality in order to select the appropriate dye color for the hair. The change of style of the subject is documented whereby in the final piece the face is removed for a black void. Thus, the thorough analysis of the face to develop the appropriate hair color is contrasted by the fact that in the final piece the subject is entirely devoid of an identity.
CV
2004 Toilet Gallery, Londres.
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Stuart Pound -EQUIVOCATION - 2:00 - 2005 - UK
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Made in response to a recent article in "The Guardian" newspaper which described why politicians equivocate. Equivocation, the use of ambiguity to conceal the truth.
CV
Fundacion gugg und Chaim – 2004 –RJ
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Eugenio Siqueira - Sem título - 2min18s - 2004 - Brasil
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A quebra da passividade do observador diante da obra de arte, com uma possível interatividade, propõe gerar discussões acerca de conceitos (que ainda persistem na arte contemporânea) de que o artista seria o criador absoluto da obra. Assim, com uma provável intervenção ativa, o observador tornar-se-á também parte integrante dessa proposta artística.
CV
*Galeria Municipal de Artes Victor Kursancew - Joinville / SC
*34a Coletiva de Artistas de Joinville / SC;
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Ane Lan- Europe – 4:00 -2003 – Noruega
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A woman, or one who appearing to be so, dressed in a traditional costume is holding up a mirror in which she sees the stars of the EU flag. She starts to sing a song in which she declares her unwillingness to marry someone (read: join the EU), and hoping for a better future in solitude, singing: “If I can rule by myself”.
CV
The Whitney Museum of American Art in NYC, USA
2005 Venice Biennial with Performance.
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Fim das Utopias OS - 8:00 - 2005 - Brasil
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Binômios, Donna Haraway, o que está disponível no seu menu de opções? O que são esses belos momentos de entretenimento? O que são estes pequenos aparelhos de controle?
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Ido Fluk - Israel - Polar Bears - 4:00 - 2005
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‘Polar Bears’ is a video work completed in May 2005. Part figurative and part abstract, part environmental-tale and part personal-essay, the work examines two seemingly different stories: the first about an oil company engineer who tells me about designing a big drill site in Siberia (and cutting down an entire forest in the process) and the second about a young man’s desire for fame in the age of celebrity kings and queens. Everyone wants to be famous these days, everyone wants to be rich: there aren’t enough Polar Bears in this world. There are too many ‘artists’.
CV
Collective Unconscious New York; 2004
Micro-Museum Brooklyn, Invideo em Milão, Itália; 2004
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Simone Michelin - Projeto Fome Zero – 2:00 - 2003
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Vídeo-performance que comenta o Projeto Fome Zero, implantado pelo governo Lula no Brasil em 2003 fazendo alusões à situação da cultura no país. Filmado no MacDonald’s 160 Broadway, a uma quadra ao leste da torre de observação do World Trade Center, em 1999, ao som de um piano ao vivo e no loft na redondeza ao som de Vila-Lobos.
CV
corpos virtuais – centro cultural telemar 2005
Emoção artificial 2.0 Itaú Cultural, São Paulo.
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Genco Gulan - h/ear cut - 2:00 - 2002 - Turquia
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This video is an artists response to the heavy global depression after 9/11. Genco Gulan moved his home/studio fron NY to Istanbul after 9/11 but realised that his home land was also experiencing hard times and a heavy depression.
CV
*Mediaterra Athens; National Gallery, Istanbul; Steirishes Herbst, Graz;
*Ars Electronica, Linz; Free Manifesta, Frankfurt e Digital Art Festival.
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Joacelio Batista -Se estou certo, porque meu coração bate do lado errado? - 3:00 - 2003
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A man up on his chair, stroll through the world untouched by everything that surrounds him.
CV
*Anima Mundi(Brasil), RJ - 2004
*Bienal Interamericana de Vídeo Arte( EUA-Italia)
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Kazumi Kanemaki - Green Rays I - 5'30" -2002
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This is an experiment to position a video camera between a person and a tree. While the person is watching the tree, two cameras are set next the objects and shoot each other. The two images in one frame are shot at the same moment.
CV
Imagens que você jamais verá na TV- Sesc Vlla Mariana – Setembro de 2004. SP
Laisle speciale – MamRJ – setembro 2003.
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Kentaro Taki - Prologue - 06'30" - 2004
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This is an experiment of video-media, which attempts to interpret the media society and the globalizing world while capturing the modern city image as disguise. With the approach different from politics, science and philosophy, we try to find out the possibility of video art today in the society under such environment. It is a prologue of it.
CV
*International Video Festival Bochum, "Fort of the Fabrication" 2005
*2005 Graz Art Project BIX media competition, o maior prêmio + Peter Cook Prize
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Keren Golan - Liquid White - 3min20s - 2005 - Israel
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In an imaginary white world a fantastic white figure is performing a repetitive privet ritual of bathing in white liquid, milk. The white figure merges in slow motion in to the white liquid -covering, bathing, drinking, and inhaling. Listen to the sounds of dripping and breathing, while organs and organic material of nourishing, life and holy purification blend.
CV
Or Lavan – Israel – 2005
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Ed Young - Killing Teddy - 0:45 - 2004 - Africa do Sul
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CV
2005: festival de arte eletrônica "Videobrasil", Sao Paulo
Turin Triennale - Castello di Rivoli. 2005 Italia
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Marco Paulo Rola - Paisagens - (folha) - 3min - 2002
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A steady camera in front of a natural landscape. Suddenly a body in fall is thrown in the landscape cutting the contemplation and even deforming it.
After a few seconds, the landscape starts to involve the body with specific materials inherent to it. As if in a sick body, it creates a membrane to attempt to insert or dissolve that strange body in its totality.
CV
MAM, Rio de Janeiro;
MAM, São Paulo;
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Erika fraenkel - luces - 2:40min 2005
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A reflexion about language, constant sensation of vertigo, of fear.
CV
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Marcello Mercado - The Chemical and Physical Perception, in the Eye of the Cat, in the moment of the cut ? - / 2005 / 12´ 58“ - Alemanha /Argentina
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“Eu tinha imaginado um acidente, como um corte no dedo – o que na verdade, aconteceu comigo, em 1973 –, visto por um gato. A percepção paralela do homem e do animal. Eu animei este processo explosivo de transmissão de dor, com modelos neurologicamente inspirados.
CV
*The John D. and Catherine T. MacArthur Foundation.
*The Rockefeller Foundation and The Lampadia Foundation.
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Mauricio Castro - Drive-(E:): 2’15 - 2005 - Brasil
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The moment uniformly varied and the constant acceleration represented by the relatively opposing movements of an object.
CV
*“e.comedie/la comedie du livre “– Montpellier FR;
*“Mostra o seu que eu Mostro o meu” – Casa França-Brasil.
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Galina Myznikova & Sergey Provorov - More Good Products - 30s - 2002 - Russia.
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People have invented many kinds of household equipment.
Some of it heats up, some cools down.
Sometimes it comes to the point of absurdity.
CV
*“Transmediale", Alemanha.
*Venice Biennale 2005
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Myriam Thyes - Ascencion -1:00 -2004- Suiça/Alemanha
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The glass elevator at the luxurious hotel Marriott Marquis in New York brings you to "heaven" ... We are brought up and tought to strive for higher things – success, wealth, honour, and/or spiritual enlightenment. ASCENSION shows – in a brief and ironic way - this aspiration and its compensation.
CV
*Recontres internacionales – Paris 2005
*Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Nancy Jean Tucke -Returning 3:38 - 2005 - EUA
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Returning is really about leaving. It's a surreal meditation on the failure to communicate, the knowledge that life is passing you by, and the futility of existence. It is about longing to be somewhere else, but not really knowing where that is.
CV
*Reel Venus Film Festival, New York, NY.
*Carrboro Arts Center, NC.
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Nesrine Kohdr - Downtown Amman - 18:30- Libano
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CV
Le festival du film Libanais, Beirut, Lebanon.
2005: festival de arte eletrônica "Videobrasil", Sao Paulo
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Akiko Nakamura - Omedetou(Happy New Year Rabbits) - 1999 - 5'00”
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"Omedeto (a happy New Year)," the same words and sights that occur in rituals every year. Repeated images and sounds question their hidden meanings. Who will shed red tears from the rabbits' eyes?
CV
*SENI: Singapore 2004, Art and the Contemporary "HOME FRONT" @Singapore Art Museum
*2003 13th International Videofestival Bochum @ Ruhr-Universitat, Bochum GERMANY
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Pascal Liévre e Benny Nemerofsky Ramsay - Patriotic Act - 2005 - França e Canada.
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Predrag Pajdic - what a wonderful world - 8:00 2005 - GB
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I see trees of green, red roses too
I see them bloom for me and you
And I think to myself, what a wonderful world...
CV
*‘Minority Report’ Focal Point Gallery, Southend, RU, (2005);
*‘Visionary Anatomies’ National Academy of Sciences, Washington DC, EUA, (2005);
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Rachel Castro - Crash Test - 2:00 - 2004
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Gauging in furniture to obtain its better performace, independent of the conductor.
CV
*2005 – I) k.o. Video Festival _ Durban - Africa do Sul
*Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Richard Nicholas - The Molusc Cry - 2000 - 3:32 - França
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CV
Playground – SMM Gallery – Berlin – 2001
New Deal – 2002
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Rob Tyler - SHOPPING CART - 4:00 - 2004 - EUA
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A portrait of consumerism from the viewpoint of the product. A musically driven meditation on the monotony of grocery shopping.
CV
*Chicago Underground Film Festival
*Viper|Basel, Switzerland
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Babel - strangel - 3:08 - 2002 - Canadá/GB
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the angel was strange, it strangled me strangely, a strangel, a strangel strangled me, it was the angel, strange.
CV
File 2004 sp – Fiesp
Laisle.com subsolo 2005 - RJ
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Mihai Grecu -TABUN - 8:00 - 2005 - Romenia
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First of a trilogy called “The toxic gas suite”, this film remains extremely heterogenous, combining Computer Generated Images, pure video and hand-drawn animation. It focuses on landscape (the second act will focus mostly on people, the third on warfare) and creates a post-apocalyptic world crypted in deserted fields and buildings, absurd symbol associations and clones.A dark atmospheric video experiment.
CV
*2005:'Videolisboa', Lisboa, Portugal
*2005: festival de arte eletrônica "Videobrasil", Sao Paulo
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Giuseppe Tilli - Chi Sbaglia - 2:00 - 2005 - Itália
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Videosurveillance , crime, blackmail and technology false certainties. Every new technology is so amazing that it always focuses attention on itself instead of on humans, also when it is its declared goal."
CV
*Vídeoformes 2005 – Clermont Ferrand - França
"Festival del cortometraggio Città di Pergola". Setembro 2005
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Tonje Gjevjon e Jan Steinum -The Fairground Syndrome / 7min - 2005 - Noruega
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Os quatro membros da banda performática Mr. Helium and The Holy Gliders cresceram em orfanatos nos antigos estados comunistas da Europa, e Eles foram abandonados por seus pais. Apesar das crianças morarem longe umas das outras, mesmo em países diferentes, todos foram abandonados da mesma maneira. Este fenômeno é chamado de Fairground Syndrome (Síndrome do Parque).
CV
Britney`s Smears, Catalyst Arts, Belfast. Curator Jordan Mc Kenzie 2004
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Masayuki Kawai - About a Theological Situation in the Society of Spectacle - 2001 - 6’30” - Japão
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TV talents and Mikados are ubiquitous not as symbols but allegories to be referred to. The image quoted from The Society of Spectacle hallucinate us the ruin of itself, by using deliberate imitation of mass-media image.
CV
European Media Art Festival (01&02, Alemanha)
Sydney Film Festival (01,Austrália)
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Leo Galvão - Syry - 5:00 - 2005 - Brasil
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New visual metamorphoses, ciborg possibilities between behavior search of the invertebrates and the eroticized mechanical body. The screen of the computer is the environment for the crossing of these two kingdoms: animal and audiovisual
CV
*Pola Museum Annex < Video Channel vol.28> at Ginza, Tokyo - Tokyo – special with brazilian artists - video –22-05-2004
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Giordani Maia - Ebulição - 6:00 – 2003 - Brasil
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Extensão e Ebulição, are part of a group of actions that unfolds on urban space labeled TCAS (Tentativas de Construção e Aplicação de Sistemas) (Attempts to construct and applicate systems). What is attempted to stablish, in fact, is a more complex circulation of artworks and their relation with the public. In other words, experimentation and negociation of possible spaces where you can act and circulate in a dynamic interlacing of circuits.
CV
Fundacion gugg und Chaim – 2004 –RJ
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Wagner Morales - Filme de Guerra - 2005 - França
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Video que parodia o genêro de filmes de guerra e seus procedimentos estéticos.
CV
Prêmio de Criação Visual do 14o. Videobrasil. residência artística no Le Fersnoy – Studio de Arte Contemporânea, em Tourcoing, França.
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