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Alexandre milagres Vídeo Popular 2004 - 00:05:00
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An intricate opinion, about the uses of video as language, creation and escape. Clouds linger on, and the voice heard wasn´t from God, but from the talking monkey full of ideas to show.
CV
IMAGENS DOS POVOS – Mostra Internacional de Audiovisual de Ouro Preto (2005)
PROG:me – Primeiro Festival Internacional de mídia eletrônica do Rio de Janeiro (2005)
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Daniel Lima - Arrastão - 2006 - Brasil
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CV
3º Festival Internacional de Música Electrónica & Arte Multimédia - Braga, Portugal
I Mostra Pan Africana de Arte Contemporânea. Videobrasil/Fundação Palmares. Salvador, Brasil, 2005.
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Números doidos” 1 min 2003 (Grilo)
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numbers in a strange state.
CV
Fraenkelstein Projects 2 salão de artes Laisle.com.
laisle.com hole 2004 02. Mostra de vídeo arte do Rio de Janeiro
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Camila sposati - TALK TO ME - 3min - 2000
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helicopter view of São Paulo (the largest city in South America, with 15 million inhabitants) with a soundtrack of broken dialogue between a woman and a man. The work explores the tension between Distance and Commitements by juxtaposing a macro view of a large city against a micro view of a domestic situation and in this way, announces the contradictions between these two perspectives.
CV
Premio Sergio Motta – 2004 e 2005.
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Eugenio Siqueira - Sem título - 2min18s - 2004 - Brasil
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A quebra da passividade do observador diante da obra de arte, com uma possível interatividade, propõe gerar discussões acerca de conceitos (que ainda persistem na arte contemporânea) de que o artista seria o criador absoluto da obra. Assim, com uma provável intervenção ativa, o observador tornar-se-á também parte integrante dessa proposta artística.
CV
*Galeria Municipal de Artes Victor Kursancew - Joinville / SC
*34a Coletiva de Artistas de Joinville / SC;
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Fim das Utopias OS - 8:00 - 2005 - Brasil
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Binômios, Donna Haraway, o que está disponível no seu menu de opções? O que são esses belos momentos de entretenimento? O que são estes pequenos aparelhos de controle?
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Simone Michelin - Projeto Fome Zero – 2:00 - 2003
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Vídeo-performance que comenta o Projeto Fome Zero, implantado pelo governo Lula no Brasil em 2003 fazendo alusões à situação da cultura no país. Filmado no MacDonald’s 160 Broadway, a uma quadra ao leste da torre de observação do World Trade Center, em 1999, ao som de um piano ao vivo e no loft na redondeza ao som de Vila-Lobos.
CV
corpos virtuais – centro cultural telemar 2005
Emoção artificial 2.0 Itaú Cultural, São Paulo.
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Joacelio Batista -Se estou certo, porque meu coração bate do lado errado? - 3:00 - 2003
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A man up on his chair, stroll through the world untouched by everything that surrounds him.
CV
*Anima Mundi(Brasil), RJ - 2004
*Bienal Interamericana de Vídeo Arte( EUA-Italia)
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Marco Paulo Rola - Paisagens - (folha) - 3min - 2002
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A steady camera in front of a natural landscape. Suddenly a body in fall is thrown in the landscape cutting the contemplation and even deforming it.
After a few seconds, the landscape starts to involve the body with specific materials inherent to it. As if in a sick body, it creates a membrane to attempt to insert or dissolve that strange body in its totality.
CV
MAM, Rio de Janeiro;
MAM, São Paulo;
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Erika fraenkel - A copia e os desajeitados – 6:00 - 2006
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A reflexion about language, constant sensation of vertigo, of fear.
CV
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Mauricio Castro - Drive-(E:): 2’15 - 2005 - Brasil
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The moment uniformly varied and the constant acceleration represented by the relatively opposing movements of an object.
CV
*“e.comedie/la comedie du livre “– Montpellier FR;
*“Mostra o seu que eu Mostro o meu” – Casa França-Brasil.
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Rachel Castro - Crash Test - 2:00 - 2004
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Gauging in furniture to obtain its better performace, independent of the conductor.
CV
*2005 – I) k.o. Video Festival _ Durban - Africa do Sul
*Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Leo Galvão - Syry - 5:00 - 2005 - Brasil
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New visual metamorphoses, ciborg possibilities between behavior search of the invertebrates and the eroticized mechanical body. The screen of the computer is the environment for the crossing of these two kingdoms: animal and audiovisual
CV
*Pola Museum Annex < Video Channel vol.28> at Ginza, Tokyo - Tokyo – special with brazilian artists - video –22-05-2004
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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Giordani Maia - Ebulição - 6:00 – 2003 - Brasil
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Extensão e Ebulição, are part of a group of actions that unfolds on urban space labeled TCAS (Tentativas de Construção e Aplicação de Sistemas) (Attempts to construct and applicate systems). What is attempted to stablish, in fact, is a more complex circulation of artworks and their relation with the public. In other words, experimentation and negociation of possible spaces where you can act and circulate in a dynamic interlacing of circuits.
CV
Fundacion gugg und Chaim – 2004 –RJ
Prog:ME - Centro Cultural TELEMAR- RJ 2005
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 Wagner Morales - Filme de Guerra - 2005 - França
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Video que parodia o genêro de filmes de guerra e seus procedimentos estéticos.
CV
Prêmio de Criação Visual do 14o. Videobrasil. residência artística no Le Fersnoy – Studio de Arte Contemporânea, em Tourcoing, França.
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Fernando Alexim
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When one takes a photograph, a moment is captured. That moment can vanish into the memory of the spectator. a scene that constitutes an image. The artist used the dynamics of the media, to amplify the stillness of the image, locking the attention of the spectator for a few seconds, allowing him the pleasure of observing the scene/image within an imposed timeline.
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Brigida Campbell - Leve - 2004- 00:03:58
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The vídeo is about a poetical experimentation with materials that attract or repel one another.
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Fernando de La Rocque "1979-1798" 6`29``- 2006
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"1979-1798 is about time, exhistance and specially about coincidences.
I live in an apartament located in a building which is localized right between the place where I was born (on 1979) and the place where I probably will be (buried) someday. The number of the tumb is 1798. Those three adresses are located in the neighborhood of humaitá, Rio de Janeiro".This film stretches the space of time in which the spectator observes
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