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We start a new year of video art screenings with the work of Marcio Almeida that presents a bycicle ride where a dialogue reveals all the aspects of solidarity and questioning about consumerism and exclusion.
Regarding the work of Leonardo Galvão, we have technological gadgets in fusion with the organic, in a relationship of object and organism, in a sing symbioses.
Akiko Nakamura, organizes different interpretations of the utilization of digital means today. She reveals the figure as a transmutation and personality crisis.
Sagi questions the use of technology as an instrument for domination and for massive propaganda, generating threat and putting people on a social exclusion situation, and puting them at risk of being target of violence.
We have all the thriller atmosphere created by Mihai and by the Russians Galina Myznikova & Sergey Provorov they work the human face almost as a ghost, Mihai works the face and the monumentality of the city buildings as aesthetical representations that are distorted by a mystical and somber aura.
The video of Sabine Gruffat works as a travelogue, a fragmented narrative that relates itself to the local mythologies that investigates.
Luke Lamborn´s video has a special reading of the landscape, re- making it as it had several layers.
In the vídeo of Carlo Sansolo there is a strong sense of irony, and thinking the own idea of image, and how we perceive it and alienation as a whole.
Pascal Lievre e Benny Nemerofsky Ramsay sing the American Law that limit the right of its citizens because they are afraid of terrorist retaliations, the atmosphere of parody intensifies the comedy that the American “Democracy” became.
Larissa Sansour makes a video that is about her point of view of how life is in Palestine under Israeli occupation.
The vídeo of video de Érika Fraenkel is about melancholy, memory and perception of its own presence of being in the world in a pressure referring to the individual and the collective
The video of Alexandre Milagres about the birthday of his grandmother that’s called Palestina is in the territory of the ludic and e dialogues with the experience of the cotidian and with the almost documentary format.
Paul Rowley and David Phillips are concerned with images of the childhood and protection, bringing in a poetic aura.
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